Examples of How Set Can Communicate the Dances Ideal Concept :: Dance Drama Still Life at the Penguin Cafe Essays

Examples of How Set Can Communicate the Dance's Ideal Concept When a dance piece is created, it is not just the choreography of the steps that needs to be considered. To make a successful piece, firstly a starting point needs to be found, this can be anything ranging from an emotion, an animal, or even someone's journey to work or school. When this has been decided upon, there are five main areas that need to be concentrated on. These are; costume, music, set, lighting and choreography. These different fields of the dance cannot be considered separate, nor is there a rank of importance; all five areas need to be created together. They compliment each other, and grow together to form the piece. In this essay I am going to focus on the importance of just one of these factors, the set. Using examples from professional dance works I am going to discuss how the set successfully communicates the dance's ideal concept. The first dance work I am going to use as an example, is from "Still Life at the Penguin Cafà ©" choreographed by David Bintley and designed by Hayden Griffin. I have chosen to discuss the set in the first scene of the performance, "The Great Auk". There are two sections to this scene, the first section being a representation of the Great Auk's habitat, the second being a busy cafà ©, run by penguins as waiters and sophisticated women as customers. The set for the first section is simple but effective. The stage has a black backdrop, covering the whole stage wall, and a smaller screen on wheels centre stage. This screen is roughly 7ft tall and a vertical rectangle. On it an icy landscape is painted. It shows ice and sea, using white and icy blue colours. It shows an image of the penguin's habitat. It lets the audience know a bit about the penguin's background and what it has to deal with in life. This is very effective as it communicates the meaning of the piece, showing that life for this creature is hard. This piece of se is also very useful within the piece, as the dancers use it as an added entrance. They hide behind the screen and appear at the sides, this give added interest to the piece, and it is also practical as it is on wheels, therefore easy to move on and off the stage. The rest of the stage is left empty for this section, providing space for the dance. For the second part of this scene, the icescape is moved off stage and the backdrop is lifted to reveal a cafà ©.

Positive Feedbacks in the Economy

Positive Feedbacks in the Economy A new economic theory elucidates mechanisms whereby small chance events early in the history of an industry or technology can tilt the competitive balance by W. Brian Arthur onventional economic theory is built on the assumption of diminishing renrrns. Economic actions engender a negative feedback that leads to a predictable equilibrium for prices and market shares. Such feedback tends to stabilize the economy because any major changes will be offset by the very reactions they generate. The high oil prices of the 1970's ncouraged energy conservation and increased oil exploration, precipitat- ing a predictable drop in prices by the early 1980's. According to conventional theory the equilibrium marks the ‘best† outcome possible under the cir- natives will be the â€Å"best† one. Furthermore, once random economic events select a particular path the choice may become locked-in regardless of the advantages of the alternatives. If one pr oduct or nationin a competitive [email  protected] gets ahead by â€Å"chance,† it tends to stay ahead and even increase its lead. hedictable, shared markets are no longer guaranteed.During the past few years I and other economic theorists at Stanford University, the Santa Fe Insurute in New Mexico and elsewhere have been developing a view of the economy based Such a market is initially unstable. Both systems were introduced at about the same time and so began with roughly equal market shares; those shares fluctuated early on because of external circumstance, â€Å"luclC' and corporate maneuvering. Increasing returns on early gains eventually tilted the competition toward VHS: it accumulated enough of an advantage to take vhrually the entire VCR market.Yet it would have been impossible at the outset of the competition to say which system would win, which of the two possible equilibria would be se- Such an agreeable picture often on positive feedback. Increasing-returns eco nomics has roots that go back 70 years or more, but its application to the economy as a whole is does violence to reality. In many parts largely new. The theory has strong lected. Furthermore, if the claim that Beta was technically superior is true, then the market's choice did not represent the best economic outcome. Conventional economic theory of- stabilizing forces arallels with modern nonlinear physics (instead of the pre-ZOth-century physical models that underlie conventional economics), it requires new and challenging mathematical techniques between two technologies or products performing the same function. An example is the competition between water and coal to generate electricity. As cumstances: the most efficient use and allocation of resources. of the economy, appear not to operate. Instead positive feedback magnifies the effects of small economic shifts; the economic models that describe such effects differ vastly from the conventional ones.Diminishing returns imply a s ingle equilibrium point for the economy, but positive feedback-increasing returns-makes for many possible equilibrium points. There is no guarantee that the particular economic outcome selected from among the many alterW. BRIANARTHUR is Morrison hofes- sor of Population Studies and Economics at Stanford University. He obtained his Ph. D. from the University of California, Berkeley, in 1973 and holds graduate degtees in operations research, economics and mathematics. Until recently Arthur was on leave at the Santa Fe Institute, a research insdrute dedicated o the srudy of complex systems. There he directed a team of economists, physicists, biologists and others investigating behavior of the economy as an evolving, complex system. and it appears lTth† history of the videocassette I recorder furnishes a simple exI ample of positive feedbaik. the vcR market started out with two competing formats selling at about the same price: VIIS and Beta. Ehch format could realize increasing r erurns as its market share increased: large numbers of VHS recorders would encourage video outlets to stock more prerecorded tapes in VHS format, thereby enhancing the value of owning a WIS ecorder and leading more people to buy one. (The same would, of course, be true for Beta-format players. ) Ir this way, a small gain in market share would improve the competitive position of one system and help it further increase its lead. 92 Scrrmrrc AMERTcAN to be the appropri- ate theory for understanding modern high-technology economies. February 1990 fers a different view of competition hydroelectric plants take more of the market, engineers must exploit more costly dam sites, thereby increasing the chance that a coal-fired plant will be cheaper. As coal plants take more f the market, they bid up the price of coal (or trigger the imposition of costly pollution controls) and so tip the balance toward hydropower. The two technologies end up sharing the market in a predictable proportion that best e>'qploits the potentials of each, in contrast to what happened to the two video-recorder systems. The evolution of the VCR market would not have surprised the great Victorian economist Alfred Marshall, one of the founders of today's conventional economics. In his 1890 Pr'nciples of Economics, he noted that if firms' production costs fall as their arket shares increase, a firm that simply by good fortune gained a high proportion of the market early on would be able to best its rivals; ‘uhatever firm first gets a good start† would corner the market. Marshall did not follow up this observatior however, and theoretical economics has until recently largely ignored it. Marshall did not believe that increasing returns applied everywhere; agriculture and mining-the mainstays of the economies of his timewere subject to diminishing returns caused by limited amounts of fertile land or high-quality ore deposits.Manufacturing, on the other hand, eqioyed increasing returns becau se large plants allowed improved organization Modern economists do not see economies of scale as a reliable source of increasing returns. Sometimes large plants have proved more economical; often they have not. would update Marshall's insight by observing that the parts of the economy that are resource-based (agficulI ture, bulk-goods production, mining) are still for the most part subject to diminishing returns. Here conventional economics rightly holds sway.The parts of the economy that are knowledge-based, on the other hand, are largely subject to increasing retums. Products such as computers, pharmaceuticals, missiles, aircraft, automobiles, software, telecommunications equipment or fiber optics are complicated to design and to manufacture. They require large initial investments in research, development and tooling, but once sales begin, incremental production is relatively cheap. A new airframe or aircraft engine, for example, typically costs between $2 and $3 billion to design , develop, certify and put into production.Each copy thereafter costs perhaps $50 to $100 million. As more units are built, unit costs continue to fall and profits increase. Increased production brings additional benefits: producing more units means gaining more experience in the uct so as to be able to exchange information with those using it already. manufacturing process and achieving greater understanding of how to produce additional units even more mechanisms that did not involve technology. Orthodox economists avoided increasing returns for deeper reasons. cheaply. Moreover, er

Social Classes In Flauberts Madame Bovary - 1439 Words

In the 18th century, European society put an emphasis on social standing; each social class was expected to act differently, thus affecting the way one would get treated and the amount of opportunities available to them. In Flaubert’s Madame Bovary, food imagery and the way each character acts towards food reveals the distinctions between the various social classes and, more importantly, the mediocrity of the French bourgeoisie. However, Flaubert chooses not to focus on all of the social classes, but solely on the characteristics and mannerisms surrounding the middle and the high classes. Revolving the novel around middle-classed characters who represent the middle class, Flaubert criticizes the bourgeoisie through their desire to escape†¦show more content†¦The food served was not as grand as the dishes that would be present at a high-class banquet; however, it was still sophisticated enough that the food was relatively unavailable for the lower class to be able to a fford. This allows for the Bovary’s to have an air of aristocracy that masked their middle class reality. Moreover, although living comfortably, the actions of those in the middle class are still considered very basic; many of the bourgeoisie had lackluster table manners. Frustrated with Charles’ eating habits, Emma describes him â€Å"to be getting coarser in his ways;... after meals, he used to suck his teeth; eating his soup, he made a gurgling noise with every mouthful† (58). Such behaviour would be unheard of in the higher class, but to Emma, this was her unfavourable reality. Through this portrayal, she reveals her dissatisfaction with the behaviour of her own middle-class lifestyle. Furthermore, Emma’s constant sophisticated desires are incomprehensible by the rest of the middle class as the elder Madame Bovary â€Å"found her style too grand for her situation† (40). Emma views herself more as an aristocrat than a bourgeoisie, hence attempti ng to boast her seemingly more refined characteristics. Hoping to escape the mundane middle class, the bourgeoisie pine after the luxurious life of an aristocrat. Despite the bourgeoisie’s strong desire to rise above their social status, their wish was still unattainable;Show MoreRelatedAnalysis Of Morality In Madame Bovary1075 Words   |  5 Pageswriter. As such, we could argue that Flaubert’s main character in Madame Bovary, Emma, was based on one of his prostitutes and describes how he feels about women. Therefore, I am surprised the government bought Flaubert’s answer. After reading Madame Bovary, I understand why the government brought action against the author Gustave Flaubert and charged him with immorality. The entire novel is based on adultery, blasphemy, misery, bad decisions, self-destruction, social disgrace, financial ruin, and suicideRead MoreThe Rise Of A Middle Class Essay1678 Words   |  7 PagesEarly nineteenth century France gave rise to the ultimate social class called the Bourgeoisie. The Bourgeoisie consisted of the factory owners, wealthy bankers and the rest of upper class and their prestigious employment positions. The upper class glorified a life full of glamor and materialism. In contrast, the lower class or the working class came to be the proletariats. The working class appreciated hard work and strived to improve their circumstances; however, the Bourgeoisie strived to ensureRead MoreEssay on Tolstoys Anna Karenina3020 Words   |  13 Pagesscenes of Anna Karenina is the mowing at Levins estate. The first fully developed interaction between Levin and the peasant class that, at different stages of artistic development symbolized for Tolstoy the triumph of nature over the stained upper classes, the essence of Slavism that would save Russia from Europes fate of immolation by the intellectual class of nihilists and anarchists, and the core of a future religious utopia here appear in the narrators brief snatches of description in a very